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                        Mt. Holz Science Fiction Society
                    Club Notice - 12/18/98 -- Vol. 17, No. 25

       MT Chair/Librarian:
                     Mark Leeper   MT 3E-433  732-957-5619 mleeper@lucent.com
       HO Chair:     John Jetzt    MT 2E-530  732-957-5087 jetzt@lucent.com
       HO Librarian: Nick Sauer    HO 4F-427  732-949-7076 njs@lucent.com
       Distinguished Heinlein Apologist:
                     Rob Mitchell  MT 2E-537  732-957-6330 robmitchell@lucent.com
       Factotum:     Evelyn Leeper MT 3E-433  732-957-2070 eleeper@lucent.com
       Back issues at http://www.geocities.com/Athens/4824
       All material copyright by author unless otherwise noted.

       The Science Fiction Association of Bergen County meets on the
       second Saturday of every month in Upper Saddle River; call
       201-447-3652 for details.  The New Jersey Science Fiction Society
       meets irregularly; call 201-652-0534 for details, or check
       http://www.interactive.net/~kat/njsfs.html.  The Denver Area
       Science Fiction Association meets 7:30 PM on the third Saturday of
       every month at Southwest State Bank, 1380 S. Federal Blvd.

       1.  URL  of  the  week:  http://www.princeofegypt.com.   This  site
       includes a "study guide" for the film.  [-ecl]

       ===================================================================

       2. Dear Sir or Madam,

       I recently received a chain letter from you with  a  puerile  feel-
       good  proto-prayer expressed as an incoherent thought surrogate.  I
       am so pleased that you thought of me, and I hope you are not overly
       concerned  about  your possible upcoming martyrdom for your fatuous
       beliefs.  Let me explain in some detail what I mean.  The following
       facts have come to my attention.

       -- Rudolf Hotze was on  Death  Row  for  the  brutal  dismemberment
       murder  and  robbery of Robert Rowland.  In what was to be his last
       mail delivery he received a  chain  letter  with  some  sentimental
       claptrap.   He  made  up  copies and was about to send me one, when
       decided it was not worth it.  HE CHOSE  NOT  TO  SEND  ME  A  CHAIN
       LETTER.   Two  hours  later  his execution was commuted to a prison
       term.  Last week due to DNA evidence he was released and now has  a
       lucrative job.

       -- Carol Johnson, got a chain letter in the  mail  and  immediately
       thought  of  me.  She made up a copy and crossed the street to MAIL
       ME THE COPY.  She was so excited she never saw the UPS truck coming
       up the hill.

       -- A man in Portland Oregon got  a  chain  letter  and  immediately
       threw  it  in  the  wastebasket.   Two  days later he won the Irish
       Sweepstakes.

       -- Robert Rowland got a copy of the same chain letter in  the  mail
       and  he  SENT  ME A COPY.  A week later he had a misfortune and his
       body was found in Maine, New Hampshire, and Rhode Island.

       -- Scott Adams had the idea  to  send  anti-chain-letter  mail  and
       today  he  writes  the fantastically successful DILBERT comic strip
       making millions from what should be common knowledge.

       -- A woman in Stowe, Vermont STARTED A CHAIN LETTER  and  one  week
       later was diagnosed with lymph cancer.

       Remember, chance favors people who are  not  moronic  superstitious
       putzes.   You already have made yourself a stupid jerk by giving me
       a chain letter.  A very bad fate may be waiting for you after  what
       you  have  already  done.   But  there may still be time.  Make ten
       copies of this letter and pass it to the next ten people  who  give
       you  chain  letters.   I am doing this because in spite of the fact
       that you have shown yourself to be dumb as a  piece  of  string,  I
       still care for you and I am ready to forgive.  [-mrl]

       ===================================================================

       3. STAR TREK: INSURRECTION (a film review by Mark R. Leeper):

                 Capsule: In a relatively minor STAR TREK story,
                 the  "Next  Generation" crew stop a miscarriage
                 of justice  against  a  group  of  six  hundred
                 people  living a sort of idyllic existence on a
                 magical planet.  Beautiful special effects, but
                 a  somewhat  lackluster story.  Rating: 5 (0 to
                 10), low +1 (-4 to +4)
                 New York Critics: 6  positive,  3  negative,  7
                 mixed

       Maybe STAR TREK is growing up and what  we  are  seeing  with  STAR
       TREK:  INSURRECTION  is  really  a  good  thing.  For once the Next
       Generation crew are not out trying to save the universe from a  mad
       man  trying  to destroy it.  The basic issue being discussed is one
       that gets seen in American courtrooms every year.  The issue is one
       of  eminent domain.  Does the Federation have the right to relocate
       a group of six hundred colonists from a planet and turn that planet
       into  a  boon  to  the  entire human race?  Do the colonists have a
       right to say they do not want  to  give  up  their  planet  at  the
       expense  of the greater number of people?  It is an important legal
       point.  Certainly there are examples in the  past  when  relocating
       people  has  been  a  great  injustice.   What  is at stake are the
       principles of the Federation.  But do we really care, given that we
       are  living  in  a  decade  when many large institutions seem to be
       betraying their founding principles?  The idea that the  Federation
       of  Planets  may  be  no  better  than  many  of our own government
       agencies is hardly shocking today.

       This principle of possession is an odd basis for what is  in  large
       part an action film.  It certainly is a complex moral issue.  Or it
       could have been a complex  moral  issue  if  the  writers  had  the
       courage  to  leave it ambiguous.  But not surprisingly they did not
       have that courage.  Rest assured that when the movie  is  over--and
       in  fact  from very early in the film--the viewer will know who the
       good guys are and who the bad guys are.  And what is more--I  doubt
       that  this  is  a  spoiler--it is the pretty people who will be the
       good guys and the ugly people who will be the bad guys.  So if  the
       themes  are a little more sophisticated than usual, the approach is
       not.

       The Ba'ku are an advanced race who have  abandoned  their  advanced
       technology  and  returned  to  a  simple  life in which they can do
       simple, pleasant, creative tasks all day  long.   They  have  found
       themselves  a  planetary  Shangri-La that keeps them forever young.
       It is the kind of non-technological utopia where everybody has nice
       creative  tasks  like  baking  bread  or  making pottery and nobody
       within range of the camera has to do laundry, scrub mildew  stains,
       or clean toilets.  But another race, the Son'a, are plotting to get
       control of the Ba'ku's planet so that the  Federation  can  analyze
       the  magic  of  the  planet.   The Son'a people look like they were
       inspired by the Katherine Helmond character of BRAZIL.   They  look
       like  they started human looking but have had too many facelifts so
       the flesh is pulled too tightly over their skulls.  It is a kind of
       nightmare  that  people  must  have in affluent neighborhood of Los
       Angeles.  There is also something of The Shadow in them as they and
       the  Federation  were  able  to  build  a large observation station
       within yards of the Ba'ku encampment, all the while clouding  Ba'ku
       minds so they were never detected.

       The Enterprise  crew  get  involved  on  the  side  of  the  Ba'ku,
       defending  their  right to monopolize the positive effects of their
       planet.  Curiously this film almost directly contradicts the  theme
       of STAR TREK II: THE WRATH OF KHAN in which Spock tells us that the
       needs of the many outweigh the needs of the few.

       The actors  playing  crew  of  the  Enterprise  do  their  standard
       competent  acting  job.   It  may  take a little while to get up to
       speed remembering the personalities of each of  the  characters  as
       one  viewer  told  me.   But  they  step  through  their roles with
       performances that are equally without flaw or excitement.  Even the
       former great Patrick Stewart is a competent but pedestrian starship
       captain.  Rejoining the crew is Michael Dorn as Worf who manages to
       be assigned to the Enterprise or to Deep Space Nine, whichever this
       agent prefers at the moment.  F. Murray Abraham is the alpha Son'a,
       but  even he cannot put much passion into his role.  The actors are
       much upstaged by the usual exquisite Enterprise effects.  Views  of
       the  old  starship  tacking  in  and out of nebulae where this film
       shows its real artistry.

       The STAR TREK: INSURRECTION might make a decent episode or  two  of
       the TV-series, but it has hardly the makings of a classic film.  It
       just is not sufficiently involving.  I give it a 5 on the 0  to  10
       scale and a low +1 on the -4 to +4 scale.  [-mrl]

       ===================================================================

       4. MAXIMUM LIGHT by Nancy Kress (Tor, 1998,  SFBC  edition,  255pp,
       ISBN 0-312-86535-X) (a book review by Joe Karpierz):

       Within the science fiction field, Nancy Kress is well-known for her
       genetic/biological  oriented  stories,  and  MAXIMUM  LIGHT  is  no
       exception.  While not quite up to  the  caliber  of  her  "Beggars"
       trilogy,  MAXIMUM  LIGHT  is  satisfying  enough,  I suppose, but a
       little disappointing.

       MAXIMUM LIGHT chronicles the story surrounding the intersection  of
       the  lives of three characters: Nick Clementi, a respected 75-year-
       old physician; Shana Walders, a rebellious young  woman  attempting
       to get into the Army; and Cameron Atuli, a blithe (yet another term
       for gay) ballet dancer.  The setting is Earth in  the  near  future
       where the birth rate is perilously low due to low sperm counts.  As
       a matter of fact, the birth rate is so low  that  parents  will  do
       almost  anything  to have/get children, including getting babies on
       the black market, or treating their pets as human children.

       All this is due to the fact  that  genetic  research  is  basically
       illegal;  the  people  have decided that we've screwed ourselves up
       enough, therefore let's not risk anymore  dangerous  research  that
       might  mess  us  up  more.   As  a result, there is a great deal of
       illegal research going on.  One of the results of that research  is
       the  modification  of  chimpanzees  to  give them the appearance of
       human children by using a process known  as  vivifacture  to  graft
       human faces and extremities on to the chimps.

       So how do our characters fit in?   Walders  has  seen  chimps  with
       Atuli's  face on them.  Atuli's connection?  Well, he may be blithe
       (or gay, or whatever), but he's FERTILE.  So he's  been  kidnapped,
       and  well,  that's  a  little  bit  more  than  I want to say here.
       Clementi?  Well, he is a respected physician who is on an  advisory
       committee  dealing  with medical crises.  And the fertility problem
       IS a crisis, and he's trying to get to the cause  of  it  all.   He
       sits in on a hearing wherein Shana discloses what she has seen.

       The story is a decent one, I think, in the fact that  it  makes  us
       think  a little bit about a potential fertility problem and what it
       could do to our civilization.  I'm sure the theme has been explored
       before,  but I've never seen it.  Kress handles the science and the
       story well (as she  always  does),  but  it  seems  to  be  missing
       something.  While thought provoking, the novel doesn't seem to have
       the depth of the "Beggars" trilogy, or even  some  of  her  shorter
       works.   It's  a straightforward narrative, easy to read, and won't
       give you brain damage while you're trying to follow it.   And  even
       though  I  think that's a good thing in general, it just doesn't do
       anything for me this time.

       Still, I'd say that you should go out and read  it.   At  the  very
       least  it's  entertaining,  and  that's  what  you want from a book
       anyway, isn't it?  [-jak]

                                          Mark Leeper
                                          MT 3E-433 732-957-5619
                                          mleeper@lucent.com

            Mathematical proofs, like diamonds, are hard as well
            as clear, and will be touched with nothing but strict
            reasoning.
                                          -- John Locke